An Analysis of the Barabah Mandi Dance Style in Lima Puluh Kota Regency, West Sumatra Province
DOI:
https://doi.org/10.58526/jsret.v5i2.1154Keywords:
Barabah Mandi Dance, Dance Style, Alan Lomax’s Theory, Agrarian Region, Koto Tinggi Village CommunityAbstract
This study aims to examine the Barabah Mandi dance style found in Nagari Koto Tinggi, Lima Puluh Kota Regency, West Sumatra Province. The research method used is a qualitative research method with a descriptive analysis nature. Through this method, the researcher describes the data obtained in the field, then analyzes it according to the focus of the research problem. The theory used in this study is the theory of style by Alan Lomax and the theory of dance form by Sumandiyo Hadi. The Barabah Mandi dance is a new creative dance that grew and developed in Nagari Koto Tinggi, Lima Puluh Kota Regency, West Sumatra Province. This dance is inspired by a legend that tells the love story of a pair of lovers. The legend was then processed into a dance work that has a character or characteristic that can be seen in the dance form. The characteristics of the dance are influenced by the agrarian region and the dominant activities of the local community as farmers. So the style of the Barabah Mandi dance can be categorized as a darek style.
Downloads
References
Ananda, Z. R., & Loravianti, S. R. (2023). MULO : Unsur Serta Teks Yang Melekat Dalam Karya Tari. 2(9), 4352–4361.
Drs. H.R Warsito, M. P. (2012). Antropologi Budaya. Ombak Yogyakarta.
Erlinda (2023) tari Minangkabau dalam Ruang dan Waktu. Yogyakarta: Deepublish.
Gernandt, E., & Merrill, J. (2024). Schlager vs . Techno : Rasionalisasi Selera Musik Berdasarkan Gaya Musik Machine Translated by Google. 7, 1–14.
HADI, Y. S. (2011). Koreografi Bentuk Teknik Isi. Yogyakarta: Cipta Media.
, (2007) Kajian Tari Teks Dan Konteks. Yogyakarta: Pustaka Book Publisher.
Hanifah, A. A. R. N. (2021). Visualisasi Budaya Lokal Melalui Ilustrasi Dua Dimensi Puti Bungsu Bapakaian Cawek Koto Nan Gadang (Nomor 1, hal. 1–7).
Hidayat, R. (2013). Kreativitas Koreografi. Surya Pena Gemilang Anggota IKAPI Jatim.
Humphrey Doris. (1958). The Art of Making Dances, Arti Seni Menata Tari, terjemahan Sal Murgiyanto Sp. 1983. Dewan Kesenian Jakarta.
Husni, N. I., & Riza, Y. (2022). TRADISIONAL WANITA MINANGKABAU tersebut ( Dahlan & Immerry , 2017 ).
Indrayuda, I. dan Samsuddin, M.E. (2021) “Changes in Form and Style in Randai Performance at The Minangkabau Diaspora in Malaysia,” Harmonia: Journal of Arts Research and Education, 21(2), hal. 340–355.
Lomax Alan (2017) Folk Song Style And Culture. Diedit oleh Routledge. Third Avenue, New York.
Maghfirah, A. M., Fikri M., & M.W. (2023) “Studi Gaya Tari Tanduak Di Nagari Lubuak Tarok Kabupaten Sijunjung Provinsi Sumatera Barat.,” Garak jo Garik jurnal Pengkajian dan Penciptaan Seni, 2(1), hal. 29–43.
, (2019) “Studi Gaya Sasaran Dan Makna Pada Tari Tanduak Di Nagari Lubuak Tarok Kabupaten Sijunjung Provinsi Sumatera Barat” Tesis. Institut Seni Indonesia Padangpanjang.
Nurfajriani, W. V., Wahyu, M., Arivan, I., Sirodj, R. A., & Afgani, M. W. (2024). Triangulasi Data Dalam Analisis Data Kualitatif. Jurnal Ilmiah Wahana Pendidikan, 10(September), 826–833.
Putri, A. R., Haswanto, N., & Visual, D. K. (2024). Branding Grup Musik “ Gabber Modus Operandi ” sebagai Representasi Musik Eksperimental Techno Indonesia. 4(1), 90–97.
Robiansyah., T., Erlinda Erlinda, R.R. (2019) “Keberadaan Tari Barabah Mandi pada Masyarakat Jorong Sungai Dadok Kenagarian Kototinggi Kecatan Gunung Omeh Kabupaten Limapuluh Kota,” Melayu Art and Peformance Journal, 02(1), hal. 109–118.
Saadani, M.N. (2024) “Gaya Tari Salendang dalam Keturunan Puti-Puti Tarusan di kecamatan Koto XI Tarusan Pesisir Selatan,” SAAYUN, 2(2), hal. 60–78.
Scharpiro, M.D.M.R. (1960) A Modern Book of Esthetics. New York: Holt, Rinehart and Winston.
Sugiyono. (2013). Metode Penelitian Kuantitatif, Kualitatif dan R&D. In Bandung:Alfabeta.
Sungam, D., Ginting, B., & Adlin, D. (2021). TARI TELU SERANGKAI PADA MASYARAKAT KARO “ KAJIAN TERHADAP GAYA TARI .” 10(1), 80–94.
Sumbawa, U. T. (2023). Analisis Semiotika Warna Marawa (Minangkabau) dan Ukiran (Toraja) Bulan Rara Yangsen 1. 1 . 14–25.
Wahyuni, W. (2017). Gaya Tari Darek Dan Pasisie Di Minangkabau. Panggung, 100–109.
, (2018) Gaya Tari Minangkabau Darek Dan Pasisie. Yogyakarta: Gre Publishing.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2026 Anggini Syahril, Auliana Mukhti Maghfirah, Zulfikar Rizki Ananda, Nurmalena; Sri Meiweni Basra

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright @2022. This is an open-access article distributed under the terms of the Creative Commons Attribution-ShareAlike 4.0 International License (https://creativecommons.org/licenses/by-sa/4.0/) which permits unrestricted commercial used, distribution and reproduction in any medium
JRSET is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.


